{"id":6733,"date":"2010-08-07T23:55:54","date_gmt":"2010-08-07T23:55:54","guid":{"rendered":"https:\/\/www.ice-dance.com\/site\/?p=6733"},"modified":"2016-05-16T00:03:16","modified_gmt":"2016-05-16T00:03:16","slug":"2010-lpidc-program-notebook-junior","status":"publish","type":"post","link":"https:\/\/www.ice-dance.com\/site\/2010-lpidc-program-notebook-junior\/","title":{"rendered":"2010 LPIDC Program Notebook \u2013 Junior"},"content":{"rendered":"

Short Dance<\/span><\/h2>\n

Group A<\/h3>\n

Nicole Orford\/Thomas Williams: (Beatles\u2019 \u201cNorwegian Wood\u201d waltz to \u201cHelp\u201d quickstep) good twizzles to start and transition into the Viennese Waltz. \u00a0\u00a0Waltz could be skated closer together.\u00a0 Nice rotational lift with change of position.\u00a0 No problems with the midline no-touch step sequence, good speed and nice spacing between them.\u00a0 Transitional lift to end.<\/p>\n

Milakirstie Kulsa\/Eric Greengold: (French Waltz music to \u201cTango Roxanne\u201d) very quick transitions right into Viennese Waltz.\u00a0 Could hear lots of blades scraping during the pattern.\u00a0 First set of twizzles in a good catch foot position, trouble on the second set with a foot down.\u00a0 Midline no touch was out of unison and had a few stumbles.\u00a0 Nice straight-line at the end of the program with change of position.<\/p>\n

Amanda Bertsch\/Semen Kaplun: (\u201cHave You Ever Really Loved a Woman\u201d by Bryan Adams) straight-line lift with a change of position, him in a spread eagle.\u00a0 She had a very nice smile throughout the Viennese, but they kept drifting apart from each other.\u00a0 Midline no touch was okay, seemed a bit tentative though.\u00a0 Pretty transition lift to end the program.\u00a0 Used same music, but changed characters from waltz to a tango feel.<\/p>\n

Kara Vick\/David Lenz: (Waltz music to \u201cMack the Knife\u201d quickstep) twizzles had nice unison, small balance check at the end.\u00a0 Good rotational lift with change of position.\u00a0 Leg lines were off in the Viennese section, he needs more stretch.\u00a0 Midline no touch started with good attack to the quickstep music, but slowed.\u00a0 Rough transitional lift to end the program.<\/p>\n

Lauri Bonacorsi\/Travis Mager: (\u201cMy Sweet and Tender Beast\u201d) may have transitioned too quickly into the Viennese, which had a nice big pattern and beautiful leg lines.\u00a0 She had a few balance checks during the twizzle sequence.\u00a0 Very pretty position in the spread eagle curve lift.\u00a0 Rough go in the midline no touch as she tries to finish the program.<\/p>\n

Charlotte Lichtman\/Dean Copely: (\u201cThat\u2019s Amore\u201d) little trouble on the opening twizzle, but they recovered well.\u00a0 Smooth and effortless Viennese Waltz.\u00a0 Slight unison problem with the no-touch midline steps.\u00a0 Jump into the curve lift, with him in a spread eagle position.\u00a0 Cute character development and story throughout the program.<\/p>\n

Danvi Pham\/Vu Pham: (Waltz music to Tango) opening transitional steps into the Viennese Waltz.\u00a0 Pattern was smaller, he has nice soft knees.\u00a0 Twizzles drift apart and are not in unison.\u00a0 Maintained good distance between them in the midline no-touch steps and okay speed.\u00a0 Nice rotational lift with change of position.\u00a0 They seemed to enjoy interpreting the tango portion more than the waltz section of their music.<\/p>\n

Madeline Heritage\/Nathaniel Fast: (\u201cMr. Bojangles\u201d waltz to \u201cThings We Used to Do\u201d quickstep) good twizzles, nice and fast.\u00a0 Transition into Viennese with nice extension from both of them.\u00a0 Trouble on the midline no touch, he got a little out of step and they lost their unison.\u00a0 Flip into split rotational lift.\u00a0 Great start to the program, but they seemed to lose some focus after the error in the midline.<\/p>\n

Danielle Gamelin\/Alexander Gamelin: (\u201cKeep Holding On\u201d waltz to \u201cAin\u2019t Got that Swing\u201d quickstep) hop into twizzles, very fast, foot down on the second set.\u00a0 Viennese had a little too much adrenalin going in, but they seemed to settle down into the pattern.\u00a0 Nice rotational lift.\u00a0 Midline no-touch was a little off and she seemed to be stronger in that element.\u00a0 Good transitional lift to end.<\/p>\n

Anastasia Cannuscio\/Colin McManus: (\u201cIt\u2019s a Man\u2019s World\u201d waltz to \u201cI Bust the Windows Out Your Car\u201d tango) nice twizzles to start, maybe a slight bobble in the second set.\u00a0 Lots of attitude projecting towards the judges.\u00a0 Used different hand holds in the Viennese Waltz section, made it appear a little more seamless.\u00a0 Change of position rotational lift and strong midline no-touch sequence.\u00a0 Transitional lift to end.<\/p>\n

Sara Aghai\/Qwynn Dalmer: (\u201cGolden Umbrella\u201d waltz to \u201cI Can\u2019t Tell a Waltz from a Tango\u201d) a little trouble to start the twizzles when she grabbed her dress with her blade.\u00a0 Smooth Viennese Waltz.\u00a0 Rotational lift with nice control and speed.\u00a0 Good speed throughout the midline no-touch step sequence.\u00a0 Transitional lift to end.<\/p>\n

Alexandra Aldridge\/Daniel Eaton: (Waltz music to Quickstep music)\u00a0 one arm rotational lift, then transition into Viennese Waltz, which was nice and close with long leg lines.\u00a0 Catch foot twizzle, looked like she put her foot down on the second set.\u00a0 Got a little drifty in the no-touch midline, but had good speed throughout.\u00a0 Stumble in the transition to the quickstep music seemed to throw them off a bit.<\/p>\n

Heather Buckner\/Nicholas Taylor: (Quickstep music to Waltz music) opening with the quickstep music into midline no-touch step sequence.\u00a0 Balance check by her and needs more speed.\u00a0 Twizzles were okay, slight unison problem.\u00a0 Transition to waltz with a smallish pattern, very nice smiles throughout.\u00a0 Pretty position in the final rotational lift, good speed.<\/p>\n

Group B<\/h3>\n

Lorraine McNamara & Quinn Carpenter: (waltz+tango) Light on their feet through the Viennese patterns, but didn\u2019t quite have the lilting quality they need for a waltz.\u00a0 Very sharp and precise on the music change.\u00a0 Twizzles got a bit far apart, but good unison.\u00a0 No problems in the midline.\u00a0 Interesting variation on a Biellmann rotational lift (she was behind his back).\u00a0 Another short rotational lift to end.\u00a0 Good performance.\u00a0 They have opportunities to improve their speed and ice coverage.\u00a0 31.20.<\/p>\n

Larissa Van As & Troy Shindle: (waltz \u201cI Remember Natalie\u201d + quickstep) Strong curve lift (her balancing on his legs) to open, then into the Viennese.\u00a0 Seemed like his feet got a bit tangled at the beginning of the second pattern.\u00a0 Twizzles with leg out on first set, second and third sets good too.\u00a0 Good unison on midline.\u00a0 Nice speed on rotational lift to end.\u00a0 Overall, they skated a little far apart, and it was apparent that this is a new partnership, but it was a decent performance.\u00a0 The style suits her especially.\u00a0 28.92.<\/p>\n

Anastasia Olson & Jordan Cowan: (waltz \u201cFallin\u201d + quickstep \u201cDown with Love\u201d) Set the mood right away.\u00a0 Lovely slow cartwheeling straightline lift.\u00a0 Music was slowed down to fit the beats, so it seems like the pattern is dragging, although they skated it well.\u00a0 Jumps into twizzles, hey may have lost one rotation on the first set.\u00a0 Music change with perkier expression.\u00a0 He looked a bit insecure in the midline, but got through it.\u00a0 Good wraparound rotational lift to close.\u00a0 38.07.<\/p>\n

Natalie Wojton & Michael Soyfer: (waltz \u201cThe Only Exception\u201d + quickstep \u201cHeartbroken\u201d) Great twizzles\u2014very fast and great unison.\u00a0 Viennese patterns seemed a little hesitant, lacking extension (maybe too many arm highlights).\u00a0 Music change right on the midline, took about half the ice to get into the beat.\u00a0 Smooth transition into a low lift, final rotational lift wasn\u2019t quite as strong.\u00a0 Light, pleasant music, but the program definitely seemed a bit new and cautious.\u00a0 35.69<\/p>\n

Sameena Sheikh & Paul Bellantuono: (waltz + tango) Fast and flowy into the Viennese patterns.\u00a0 Maybe a bit of trouble halfway through the second pattern.\u00a0 Good flow as the tango begins, too.\u00a0 Upside down straightline lift with Bielmann.\u00a0 A bit slower going into the twizzles, unison off and she lost a rotation on the first set.\u00a0 Unison a bit off through the midline, too.\u00a0 Nice commitment to the character of the tango, especially.\u00a0 New partnership, new program, but there\u2019s potential.\u00a0 30.11<\/p>\n

Joylyn Yang & Jean-Luc Baker: (waltz – tune of \u201cMy Favorite Things,\u201d but vocals not in English) Midline a bit slow, but great steps and unison.\u00a0 Twizzles\u2014she missed footgrab and fell out early.\u00a0 Beginning of first Viennese pattern a bit rough, timing seemed a bit off. Solid rotational lift.\u00a0 Lots of steps in the program, but they don\u2019t seem quite comfortable with them yet.\u00a0 Another rotational lift to close.\u00a0 37.03<\/p>\n

Gabrielle Friedenberg & Ben Nykiel: (tango \u201cAssassin\u2019s\u201d + waltz) Nice tango attitude to start\u2014she\u2019s fierce.\u00a0 Great unison on midline.\u00a0 A little shaky getting into the Viennese pattern, but recovered well.\u00a0 Right into a rotational lift (her on one of his arms) from the pattern, good speed and rhythm.\u00a0 Good unison on twizzles.\u00a0 One of the more confident performances from the group, but seemed just a bit stiff in the knees.\u00a0 45.43<\/p>\n

Maeve Pascoe & Samuel Rashba: (waltz \u201cKiss from a Rose\u201d) Looks like a new partnership right away\u2014not a ton of connection.\u00a0 Strong straightline lift (her balanced on his legs).\u00a0 Stumble in the beginning of the Viennese, missed a big chunk of the pattern.\u00a0 Looks like she tripped in the last third of the second pattern, both of them fell.\u00a0 She stumbled again going into the twizzles, fell on the first set.\u00a0 Looks like something is wrong with her blade.\u00a0 She went over to her coach, then they spoke to the referee.\u00a0 They were given two minutes to see if they could repair the skate.<\/p>\n

Second attempt at twizzles better, but not sure if they will count.\u00a0 Midline much more solid.\u00a0 Last rotational lift a bit shaky, though.\u00a0 18.92<\/p>\n

Free Dance<\/span><\/h2>\n

Group A<\/h3>\n

Danvi Pham\/Vu Pham:(Middle Eastern music) step sequence good, twizzles slightly off.\u00a0 Fast dance spin to start, lost some speed but good change of positions.\u00a0 Diagonal step good, not too fast, though, and lost speed at the end.\u00a0 Good straight-line lift. Mirror twizzles a little out of synch.\u00a0 Fall on spread eagle lift at the end of the program.\u00a0 Good choreography.\u00a0 They need to emote more to highlight the movements of the program.<\/p>\n

Sara Aghai\/Qwynn Dalmer: (Triplets of Belleville) waltz jump into twizzles were off on the first set, second was better.\u00a0 Circular step sequence okay.\u00a0 Curved spread eagle lift was well done.\u00a0 Rotational lift good and fast.\u00a0 Dance spin with catch foot entrance.\u00a0 Serpentine foot sequence good.\u00a0 Fall at the end of the rotational lift.\u00a0 Control problems on the final lift and they finished after the music.<\/p>\n

Alexandra Aldridge\/Daniel Eaton: (Romeo & Juliet \u2013 Edvin Marton arrangement of Nino Rota\u2019s version) nice edges on opening step sequence.\u00a0 Good straight-line into rotational lift that covered lots of ice.\u00a0 Twizzles were fast and in unison.\u00a0 Curved spread eagle lift.\u00a0 Spin had some trouble with catch foot position.\u00a0 Diagonal step sequence good.\u00a0 Need to work a little more on transitions, but the concept of the program is solid.\u00a0 Skaters had great flow across the ice.<\/p>\n

Natalie Wojton\/Michael Soyfer: (Triplets of Belleville) start with twizzles, out of synch on the last set, he finished ahead of her.\u00a0 Rotational lift strong, but not a lot of coverage.\u00a0 Circular steps were good, but could use more speed.\u00a0 Solid pairs spin.\u00a0 Straight-line lift from spread eagle to low position.\u00a0 Lost speed at the end of the program.<\/p>\n

Anastasia Olson\/Jordan Cowan: (Zoot Suit Riot & Do you Feel my Leg) high energy to start.\u00a0 Fast rotational lift with her in a split position.\u00a0 Diagonal step good, but could be a little faster.\u00a0 Circular steps, solid edges and changes.\u00a0 Curved lift with him in hydroblade.\u00a0 Dance spin good.\u00a0 He missed his foot on the catch blade twizzles.\u00a0 Last straight-line lift had trouble with the change of position and they had to come out of it early.\u00a0 Good start to the program, but rough last 30 seconds. Program has a lot of potential to grow.<\/p>\n

Lauri Bonacorsi\/Travis Mager: (The Mask) fast dance spin to start with good changes of positions.\u00a0 Waltz jump entry into twizzles, second set slightly off.\u00a0 Serpentine step sequence with good ice coverage.\u00a0 Straight-line lift with her on his blade laid out.\u00a0 Stopped skating following the rotational lift and approached the referee.\u00a0 Resumed program and into diagonal steps, she tripped but covered it well.\u00a0 Interesting straight-line lift with him balancing on one leg and she\u2019s laying back on his skates.<\/p>\n

Janine Halstead\/Robert Knopf: (Spanish-themed music) started with good circular step sequence.\u00a0 Circular lift with change of position.\u00a0 Twizzles were off – he had trouble at the beginning and couldn\u2019t recover.\u00a0 Struggled a bit in the footwork sequence \u2013 it could use more speed.\u00a0 Dance spin okay.\u00a0 Nice rotational lift.\u00a0 Need more time to settle into program, a little rough in some spots.\u00a0 Tall team with pretty lines.<\/p>\n

Nicole Orford\/Thomas Williams: (Strings arrangement of \u201cThis is How you Remind Me\u201d by Nickleback, \u201cThis Love\u201d by Maroon 5, and \u201cDare You to Move\u201d by Switchfoot) fast and flowing step sequence to start.\u00a0 Very fast spin and excellent twizzles with a waltz jump entrance.\u00a0 One foot, backwards curve lift, followed by a rotational lift with cool leap entry.\u00a0 Ending needs to be more sharp, but otherwise program was strong and fast.<\/p>\n

Joylyn Yang\/Jean-Luc Baker: (Windmills of your Mind and Tango) start with a dance spin that was done well.\u00a0 Good twizzles.\u00a0 Nice straight-line lift with him in a spread eagle position, fast.\u00a0 Curve lift with position change, circular step sequence needs a little more speed and time to gel.\u00a0 Overall, a good performance.<\/p>\n

Kara Vick\/David Lenz: (Soundtrack? & Winter) nice circular lift into rotational to start.\u00a0 She nearly missed her foot on the catch blade twizzle, but recovered for a good second set.\u00a0 Straight-line backwards lift and rotational lift to end.\u00a0 Some rough spots, needs a little more time to develop.\u00a0 She passed all her dances last year to skate with him.\u00a0 After Lake Placid, they\u2019ll be moving to college.<\/p>\n

Gabrielle Friedenberg\/Benjamin Nykiel: (Moonlight Sonata remix with rain and thunder sounds) he had a balance check on the twizzles, but recovered and ended in unison.\u00a0 Curved lift, reminiscent of Tanith and Ben with her balancing in a full split arabesque position on his foot.\u00a0 Dance spin with catch blade entry.\u00a0 Good rotational lift and backwards straight-line lift on one foot at the end.\u00a0 Could use a little more speed, but overall a nice skate.<\/p>\n

Group B<\/h3>\n

Lorraine McNamara\/Quinn Carpenter: (\u201cSmile\u201d instrumental version) start with good twizzles, but both fell on the straight-line lift.\u00a0 Curve lift into rotational lift with good speed.\u00a0 One foot backwards lift. \u00a0Dance spin with nice speed throughout.\u00a0 Diagonal step sequence could use more speed.\u00a0 Will need to improve polish and speed for the junior level.<\/p>\n

Larissa Van As\/Troy Shindle: (Jazzy Sinatra \u201cAin\u2019t that a Kick in the Head\u201d) good unison in twizzles to start. \u00a0Straight-line step sequence okay.\u00a0 Straight-line lift with her in a catch foot position \u2013 her dress skirt flowed.\u00a0 Curved lift in spread eagle position.\u00a0 Dance spin lost speed towards the end.\u00a0 Good circular step sequence and rotational lift to end.<\/p>\n

Heather Buckner\/Nicholas Taylor: (Grease medley) nice leg lines on the diagonal step sequence, could use more speed.\u00a0 Rotational lift didn\u2019t cover a lot of ice.\u00a0 Curved lift, he\u2019s in a spread eagle \u201ccombing his T-Bird hair\u201d, while she is changing positions.\u00a0 Nice twizzles, ending with a pair spin.\u00a0 Good program, needs more speed overall.<\/p>\n

Amanda Bertsch\/Semen Kaplun: (Amelie) good speed going into serpentine step sequence.\u00a0 Very good straight-line into rotational lift.\u00a0 Nice catch foot twizzles with a waltz jump entry.\u00a0 Beautiful lift with him balancing her while in a forward spiral.\u00a0 Fast dance spin to start, but change of positions slowed them down.\u00a0 Good rotational lift and speed to end.<\/p>\n

Jenna Dzierzanowski\/Vinny Dispenza: (Latin medley & Tango Roxanne) start with a diagonal step sequence, good ice coverage.\u00a0 Dance spin had okay speed.\u00a0 Spread eagle curve lift good, with her balancing across his knee.\u00a0 Good straight-line lift right in front of the judges.\u00a0 Started to look a bit rough towards the end of the program.\u00a0 Final element is a rotational lift that could use more speed.<\/p>\n

Charlotte Lichtman\/Dean Copely: (Beetle Juice soundtrack) interesting variation to pair spin, he is in a camel position, while she is lying over his back.\u00a0 Twizzles fast and have good unison.\u00a0 Flip entry into straight-line lift.\u00a0 Good choreography and speed.\u00a0 Curved lift, not a flattering position.\u00a0 Rotational lift to end.\u00a0 Program is very entertaining, but they need a better ending.<\/p>\n

Anastasia Cannuscio\/Colin McManus: (\u201chappy\u201d Carmen) start with mirror twizzles, he slipped a little at the end of the second set and pants boot strap is undone.\u00a0 Backwards one foot lift with her balancing on his boot, good but lost some speed.\u00a0 Flip into straight-line lift with her laid out in front.\u00a0 Good dance spin.\u00a0 Circular step sequence goes well with music\/tempo.\u00a0 Good rotational lift with interesting positions.\u00a0 She looks happy at the end.\u00a0 Strong finish and good ending.<\/p>\n

Danielle Gamelin\/Alexander Gamelin:\u00a0 (Santana medley) circular lift with innovative exit through his legs.\u00a0 Good and fast twizzles, rotational lift with her in split position.\u00a0 Circular step sequence could use more speed, good edges.\u00a0 It’s all there, just needs work on speed and her expression to make this pop.<\/p>\n

Milakirstie Kulsa\/Eric Greengold: (Latin guitar) mirror and crossing twizzles to start.\u00a0 Serpentine step sequence takes them too close to the wall.\u00a0 Low to the ground straight-line lift with her balancing on his boots, he\u2019s in a low sit.\u00a0 Nice curved lift that covered a lot of ice and had multiple position changes.\u00a0 A little slow in spots.\u00a0 She has a gorgeous dress.<\/p>\n

Sameena Sheikh\/Paul Bellantuno: (Arabian-themed music) good diagonal step sequence, very expressive.\u00a0 Twizzles drifting too far apart, but unison okay.\u00a0 Nice pair spin.\u00a0 Good straight-line lift in a spread eagle to a rotational lift with good ice coverage and speed.\u00a0 Cool lift to end program, she is up high almost onto his shoulders as they passed right by the judges.<\/p>\n

Madeline Heritage\/Nathaniel Fast: (\u201cCome What May\u201d from Moulin Rouge) twizzles slightly off, but close together.\u00a0 Problem with first rotational lift, appeared that she may have over rotated three turns going in and he missed grabbing her foot for the take off.\u00a0 Good and fast dance spin.\u00a0 Curve lift into rotational.\u00a0 Good final lift.\u00a0 The initial lift problem seemed to throw them off for the rest of the program.\u00a0 Much improved from last year and the program has potential.\u00a0 She needs to emote more towards the audience and judges.<\/p>\n","protected":false},"excerpt":{"rendered":"

Short Dance Group A Nicole Orford\/Thomas Williams: (Beatles\u2019 \u201cNorwegian Wood\u201d waltz to \u201cHelp\u201d quickstep) good twizzles to start and transition into the Viennese Waltz. \u00a0\u00a0Waltz could be skated closer together.\u00a0 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IDC","author_link":"https:\/\/www.ice-dance.com\/site\/author\/idcadmin\/"},"uagb_comment_info":0,"uagb_excerpt":"Short Dance Group A Nicole Orford\/Thomas Williams: (Beatles\u2019 \u201cNorwegian Wood\u201d waltz to \u201cHelp\u201d quickstep) good twizzles to start and transition into the Viennese Waltz. \u00a0\u00a0Waltz could be skated closer together.\u00a0 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