{"id":6790,"date":"2007-08-04T02:37:01","date_gmt":"2007-08-04T02:37:01","guid":{"rendered":"https:\/\/www.ice-dance.com\/site\/?p=6790"},"modified":"2016-05-17T02:41:08","modified_gmt":"2016-05-17T02:41:08","slug":"2007-lpidc-program-notebook-senior","status":"publish","type":"post","link":"https:\/\/www.ice-dance.com\/site\/2007-lpidc-program-notebook-senior\/","title":{"rendered":"2007 LPIDC Program Notebook \u2013 Senior"},"content":{"rendered":"<h2><span style=\"text-decoration: underline;\">Original Dance<\/span><\/h2>\n<p>Report by Abby Millager<\/p>\n<p><strong>1. Maxwell &amp; Traxler <\/strong><\/p>\n<p>pocohontas outfits. Traxler has fringe garters just below the knees.<\/p>\n<p>native American flute, drum<\/p>\n<p>straightline footwork methodical, decent edges<\/p>\n<p>tw well done<\/p>\n<p>biellmann on shoulder lift<\/p>\n<p>huge circular footwork\u2014slow on purpose, looks like they\u2019re being careful to show edges-not taking any chances, probably smart<\/p>\n<p>spin: sit \/layback to Biellmann\/ sit<\/p>\n<p>cool rhythmic drum section<\/p>\n<p>spin: one arm rotating, hold around waist with her horizontal<\/p>\n<p>intricate, unusual steps throughout, interesting program (linichuk?)<\/p>\n<p> <strong>2. Johnson &amp; Scott ( Canada)<\/strong><\/p>\n<p>burgundy lace over white dress with sash\/blk pants,white shirt, burgundy sash<\/p>\n<p>Canadian celtic \u2013hammer dulcimer, fiddle<\/p>\n<p>lift :squat spreadeagle, her standing on his feet<\/p>\n<p>straightline footwork -ok<\/p>\n<p>tw- slow, fell out of second set<\/p>\n<p>circ footwork&#8211;bit struggled, unsure edges<\/p>\n<p>spin: camel to Y<\/p>\n<p>stroking<\/p>\n<p>one arm rotating lift ,waist hold<\/p>\n<p>jig moves<\/p>\n<p>room for more choreography<\/p>\n<p><strong>3. Summersett &amp; Gilles<\/strong><\/p>\n<p>sweet spring green little dress with daisy in hair\/jeans, white cotton shirt<\/p>\n<p>us country western folk-brother where art thou?<\/p>\n<p>twizzles in pancake&#8211; awesome<\/p>\n<p>straight footwork- deep carving<\/p>\n<p>gospel section<\/p>\n<p>spin: biellmann sit into sit(her) camel(him) came to a grinding halt<\/p>\n<p>lift: him in forward moving squat with her sitting on his lap legs extended, holding with both hands around his neck<\/p>\n<p>circular footwork fast banjo section &#8211;intricate footwork\u2014<\/p>\n<p>lift: rotating with her doubled over his arms<\/p>\n<p>very strong program<\/p>\n<p> <strong>3. Rithaler &amp; Kondrashin<\/strong><\/p>\n<p>blue dirndl with puffy sleeves\/ blue navy polka style vest<\/p>\n<p>umpapa music<\/p>\n<p>circ foot ok<\/p>\n<p>polka steps<\/p>\n<p>lift rot strug<\/p>\n<p>blue Danube<\/p>\n<p>waltz moves<\/p>\n<p>straightline lift : titanic on belly, prone, feet first<\/p>\n<p>spin ? to y<\/p>\n<p>straight line with twizzles in half sit, second set arms overhead&#8211; slow<\/p>\n<p>fun bouncy music<\/p>\n<p>in-between-choreo felt a bit sparse<\/p>\n<p><strong>5. Puttkemery &amp; Gallagher<\/strong><\/p>\n<p>red sparkly almost two piece tatter dress\/gypsy vest<\/p>\n<p>Turkish-slow male vocal + guitar<\/p>\n<p>circular footwork lots of closed hold<\/p>\n<p>straightline titanic lift<\/p>\n<p>straight footwork, step out<\/p>\n<p>twizzles holding blade, second set fall out<\/p>\n<p>energetic leaping<\/p>\n<p>lift :one arm rotating, her face up<\/p>\n<p>energetic, choreo has a lot going on<\/p>\n<p>diag footwork<\/p>\n<p>spin: biellmann to layback with leg low<\/p>\n<p>ends with fast harem music<\/p>\n<p><strong>6. Gustafson &amp; Dear <\/strong><\/p>\n<p>little red dress\/white shirt ,suspenders<\/p>\n<p>Hungarian- slow violin to \u201cbei mir bist du schoen\u201d<\/p>\n<p>starts him holding suspender<\/p>\n<p>she does cute fake off-balance maneuver, repeated later in program<\/p>\n<p>straightline footwork- one footed through halfway, nicely done<\/p>\n<p>tw successful<\/p>\n<p>spin -missed<\/p>\n<p>slow section<\/p>\n<p>spreadeagle curve lift with her draped over his back<\/p>\n<p>circular foot-ok, not simple<\/p>\n<p>split rotating lift<\/p>\n<p>quick fun moves, high energy, personality<\/p>\n<p><strong>7. Farrell &amp; Fishpaw<\/strong><\/p>\n<p>flowy green gradient dyed shirt and dress with sparkly gold trim<\/p>\n<p>irish celtic river dance type drums, then fiddle<\/p>\n<p>jig moves<\/p>\n<p>serp? footwork-difficult<\/p>\n<p>spin: sit\/biellmann into layback, not fast and traveling a bit<\/p>\n<p>riverdance moves again, fast<\/p>\n<p>bent knee spreadeagle (curve?) lift, her one foot standing on his foot<\/p>\n<p>bobbles on twizzles<\/p>\n<p>pretty pipe music<\/p>\n<p>more drums, fast<\/p>\n<p>lift: rotating biellmann wrapped around him, to her being swung around, hands holding his neck<\/p>\n<p>good energy, nice look. some tough choreo looks like they haven\u2019t quite grown into it yet<\/p>\n<p><strong>8. Wilson &amp; Goodman <\/strong><\/p>\n<p>white halter, wide cherry sash\/black country shirt, jeans and big belt buckle<\/p>\n<p>American barn dance<\/p>\n<p>big beat bar country male vocal<\/p>\n<p>curve spreadeagle lift: ? she ends up hanging between his legs<\/p>\n<p>circular footwork slow, off synch<\/p>\n<p>biellmann into sit biellmann spin to layback spin<\/p>\n<p>lift : one arm rotating, she holding blade behind her backside<\/p>\n<p>straightline foot work-similar to circular<\/p>\n<p>twizzles off balance, fell out of first half<\/p>\n<p>music was high energy, they had fun with it<\/p>\n<p>placid\u2019s early in the season-program felt like it really hadn\u2019t gelled yet<\/p>\n<p><strong>9. Hann-McCurdy &amp; Coreno <\/strong><\/p>\n<p>faded blue skirt, white puffy sleeve shirt\/red plaid shirt, suspenders ,jeans<\/p>\n<p>Newfoundland jig<\/p>\n<p>excellent folk character<\/p>\n<p>circular footwork smooth<\/p>\n<p>funny running moves<\/p>\n<p>lots of closed hold<\/p>\n<p>one arm rotating spin<\/p>\n<p>spin: tilted back camel to nice y<\/p>\n<p>cute jig section<\/p>\n<p>fast feet<\/p>\n<p>straightline footwork-well done<\/p>\n<p>twizzles with leg extended out to the side, then hands behind backs\u2014nicely done<\/p>\n<p>lift: she stands on his thigh with one foot<\/p>\n<p>great entertaining character, tough choreo requiring quickness throughout<\/p>\n<p> <strong>10. Whetstone &amp; Obzansky <\/strong><\/p>\n<p>burgundy and white dirndl\/poet shirt<\/p>\n<p>violin (Hungarian) czardas-starts slow<\/p>\n<p>lift: titanic with her upside down on belly, feet up in air<\/p>\n<p>nice drape<\/p>\n<p>czardas speeds up\u2014unfortunately almost fell in circular footwork<\/p>\n<p>spin :sit \/attractive layback(past two days there\u2019ve been a lot of soso layback positions) to biellmann\/ sit&#8211; nicely done<\/p>\n<p>straightline footwork (music speeding up again)<\/p>\n<p>twizzles with arm over head, then folded arms, a bit off synch at end but not bad<\/p>\n<p>rotating lift, catchfoot position around his body<\/p>\n<p> <strong>11. Kriengkrairut &amp; Giulietti-Schmitt <\/strong><\/p>\n<p>Russian gypsy music<\/p>\n<p>red, black and gold two piece gypsy outfit with paillettes\/gypsy vest<\/p>\n<p>cute plinky music, fiddle<\/p>\n<p>straightline footwork in mirror, speeding up&#8211; careful to show edges<\/p>\n<p>twizzles: holding blades, then arms over head- good but not fast<\/p>\n<p>slow section&#8211;<\/p>\n<p>biellmann into biellmann sit spin into blade to head spin-good<\/p>\n<p>female vocal<\/p>\n<p>lift: spreadeagle, her up on his thigh, then scissoring his legs, horizontal<\/p>\n<p>nice circular footwork<\/p>\n<p>lift rotating, several positions with her horizontal<\/p>\n<p>energetic interpretation<\/p>\n<p> <strong>12. Snyder &amp; Fischl <\/strong><\/p>\n<p>bluegrass, country<\/p>\n<p>light blue and white dirndlish dress with little flowers\/jeans, suspenders<\/p>\n<p>spin: sit \/catchfoot to y<\/p>\n<p>slow hammer dulcimer section-pretty<\/p>\n<p>circular footwork ? edges<\/p>\n<p>one foot straightline upside-down-on-shoulder lift<\/p>\n<p>cute heel steps<\/p>\n<p>straightline footwork ok maybe wants difficulty, accuracy<\/p>\n<p>music getting faster<\/p>\n<p>twizzles holding blades, fell out<\/p>\n<p>fun fiddle music<\/p>\n<p>spin: rotating with her in catchfoot position<\/p>\n<p>lighthearted feel to program<\/p>\n<h2><span style=\"text-decoration: underline;\">Free Dance<\/span><\/h2>\n<p align=\"justify\">Report by Abby Millager<\/p>\n<p align=\"justify\">Disclaimer: sorry if descriptions are inaccurate or incomplete (ie just plain wrong)\u2014for instance, a lot of lifts at this level go through many positions quickly \u2013it\u2019s hard to catch\/record everything. This should at least give you a clue what went on.<\/p>\n<p align=\"justify\"><strong>My shorthand:<\/strong><br \/> trumpet lift=woman usually upside down in back arching catchfoot position with free leg sticking out, slung over man\u2019s body like a shoulder harness.<br \/> titanic lift= man in forward moving squat, holding one of woman\u2019s legs between his thighs while woman reaches forward in one of a variety of positions<\/p>\n<p align=\"justify\"><strong>1.Natalie Rithaler\/Denis Kondrashin<\/strong><br \/> cream toga dress, blk\/gold gladiator outfit<br \/> marchy male choral music (Troy?) \/drummy section\/female vocal on ah<br \/> slow, lot of stroking<br \/> one foot biellmann lift, nearly fell<br \/> fell on prone straddle spreadeagle lift<br \/> semi sitspin twizzle combo, slow<br \/> kamel kwan spin good<br \/> straightline footwork done but slow<br \/> edges, soso<br \/> circ footwork same, small circle<br \/> catchfoot plus ? spinning lift<br \/> back catchffoot into hydro split lift<br \/> soft ending<\/p>\n<p align=\"justify\"><strong>2 .Christina Chitwood\/Mark Hanretty (Great Britain)<\/strong><br \/> opera nellafantasia <br \/> lovely basic stroking<br \/> ride on shoulder\/catchfoot spin lift<br \/> fast, edgy straightline footwork<br \/> lovely spreadeagle move-him pulling her by the leg extended between his<br \/> straightline footwork bit struggled today<br \/> circular footwork, decent edges<br \/> lovely over the head lift<br \/> onearm spin lift&#8211; he\u2019s holding her blade<br \/> one-footed lift: she stands in biellmann position, one foot on his lifted back knee <br \/> nice emotion, sensitive body interpretation of the music<br \/> lift: biellmann into split standing on his foot<br \/> decent speed<br \/> spreadeagle lift: her legs in vee, one leg over his shoulder , leaning out<br \/> spinning pretzel lift<br \/> twizzle combo arm over head, ok bit slow second half<br \/> packed choreography, interesting positions, innovative<\/p>\n<p align=\"justify\"><strong>3. Megan Wilson\/Garett Goodman (Canada)<\/strong><br \/> blk and silver bustier with white&amp;gray gradient dyed skirt\/white satin shirt, blk pants<br \/> eerie nightmare music(Edward scissorhands? Nightmare before Christmas?)\/thriller<br \/> starts and ends with draped, ghoulish poses<br \/> spinning lift goes from split into prone position with legs in vee around the man\u2019s body <br \/> lots of stroking <br \/> crossed legs layover thigh lift<br \/> biellmann grabbed into biellmann, then layback, spin<br \/> circular foot work flat<br \/> spinning\/reverse spinning lift, first holding her foot behind her butt then in sideways biellmann<br \/> thriller section, nice expression on thriller\u2014obviously having fun<br \/> twizzle, fell out first set<br \/> man doing backward straight hydro(no edge), woman in horizontal prone layover leg balance lift <br \/> more stroking in between <br \/> forward squat lift, woman kneeling in layback <br \/> ends with evil laugh<\/p>\n<p align=\"justify\"><strong>4. Charlotte Maxwell\/Nick Traxler<\/strong><br \/> operapuccini(time to say goodbye)<br \/> elegant burgundy\/pink tasteful classical outfits<br \/> laybackchangefoot biellmann spin-nicely done<br \/> somersault into ontheshoulderccatchfoot lift<br \/> footwork&#8211; long onefoot section <br \/> upped the difficulty level of their program from last year (Linichuk)<br \/> kneehooked over shoulder lift into one-arm spinning lift<br \/> twizzles fast, drifted apart second set<br \/> packed choreo, lots of swooping moves nice with music<br \/> footwork serp decent edges<br \/> back somersault into catchfoot on shoulder lift<br \/> front handstand on leg combo lift<br \/> straightline footwork, slow but difficult \u2013some edges iffy<br \/> movements generally well synchronized<br \/> flagging a bit at end<br \/> spinning layback lift\/she riding on his feet (this is what my notes say but I don\u2019t know what it looks like anymore)<br \/> crook leg over neck, leaning outward lift into sideways back wrap spinning lift<\/p>\n<p align=\"justify\"><strong>5. Marsha Snyder\/Peter Fischl<\/strong><br \/> black with red sash; red satin ruffle skirt\/ blk sparkle bodice <br \/> paso, espana cani starts slow<br \/> cool thighs around thigh layback lift, bent knee spread eagle<br \/> titanic lift into one arm, arched layback spinning lift<br \/> donut\/kwanish spin <br \/> slow part -lot of stroking<br \/> one foot lift?<br \/> twizzles holding blades in front okay, second set of tw not good<br \/> losing steam at end<br \/> circular footwork struggled and flat, not as punchy as the music<br \/> random fall on choreography<br \/> diag footwork struggling with difficult edges<br \/> pinwheel combo spinning lift<\/p>\n<p align=\"justify\"><strong>6. Allie Hann-McCurdy\/Michael Coreno (Canada)<\/strong><br \/> silver and fuchsia tatter skirt dress\/silver shirt black pants<br \/> loud flamenco\/funkydrumprimitive music<br \/> tiltback camel\/kwan spin<br \/> sloppy body positions for this level-wants fluidity<br \/> serp foot?<br \/> tummy on shoulder, semi upside down spinning lift -dramatic<br \/> circ footwork kinda flat<br \/> spin: bent knee tilted kamel to kwan-good<br \/> funky section: <br \/> lift- split standing on his foot, then upside down, bent knee, him squatting(?)<br \/> fun music<br \/> twizzles okay hand over head, behind back<br \/> choroeography less elaborate than some<br \/> sideways on shoulder spreadeagle lift<br \/> straight foot work okay<\/p>\n<p align=\"justify\"><strong>7. Lisa Johnson\/Joseph Scott (Canada)<\/strong><br \/> red street tango dress,\/white shirt blk pants<br \/> serious dramatic violin music, ends up it\u2019s Schindler\u2019s List<br \/> starts gently fluid bodies <br \/> titanic back lift<br \/> spin tilted kamel to kwan nice control<br \/> circ foot, decent edges<br \/> drooping horizontal body position lift, spread eagle- lay back over knee<br \/> fast folk cut hidey moves<br \/> catchfoot tw fell out, also reverse<br \/> dragging, sliding on ice<br \/> slow again schindler theme<br \/> catchfoot spinning lift<br \/> upside down on spreadeagle into spinning trumpet lift<br \/> lovely expression, bit of trouble on diag ftwk<br \/> ends with effective forward raft<br \/> touching and appropriately understated<br \/> maybe less speed and difficulty than some other programs<\/p>\n<p align=\"justify\"><strong>8.Clare Farrell\/Chase Fishpaw<\/strong><br \/> purple gypsy outfits<br \/> hunchback of notre dame music<br \/> starts with interesting hoppy section<br \/> bent spreadeagle with her prone,legs scissoring his leg\u2014then her in vertical lift: split with one foot on his one foot <br \/> diagonal footwork, bit struggled, ambitious<br \/> fast diagonal running section <br \/> one foot trumpet lift into spin then hands around neck, body swinging out, still spinning<br \/> forward squat lift with her kneeling in his lap<br \/> tough program <br \/> twizzles one hand over head good, then both hands over head done ok<br \/> serpentine footwork okay edges, a little struggled<br \/> lots of interesting moves and hold changes<br \/> slow sitspin \/donut. layback position could be better<br \/> sideways titanic lift nice<br \/> great interaction.feeling<br \/> intricate choreography<\/p>\n<p align=\"justify\"><strong>9. Jane Summersett\/Todd Gilles<\/strong> <br \/> startling pearl gray,blk and white swanny outfits with neck tie and bloody sleeve(him)\/dark tights(her)<br \/> dark late classical (Prokovievoid)music\/long eerie waltz section <br \/> sit\/biellmann\/donut spin nice<br \/> combo lift: he throws her over his head onto his shoulder -she somersaults down and somehow ends up hanging on under his hydroblade <br \/> fast, packed program, interesting transitions<br \/> spinning donut lift <br \/> smooth skating, good speed <br \/> lots of dragging each other around by one leg<br \/> twizzles with free leg straight then reverse with hands clutched together in front&#8211;effective <br \/> dark section spinning her on ice and dragging<br \/> more waltzing, but only on one foot as part of circ footwork some deep edges, not all there yet but you know it will be<br \/> one arm spinning lift, she first in forward crouch, then reversing to backward arching \u201cdead\u201d looking position <br \/> oohaah spreadeagle lift-she in handstand on his thighs, her body arching, peeling outward from his<\/p>\n<p> <strong>10. Mauri Gustafson\/Joel Dear<\/strong> scratch?<\/p>\n<p> <strong>11. Bethany Puttkemery\/Kevin Gallagher<\/strong> (Canada)<br \/> fuchsia splitskirt dress\/yellow shirt, blk pants and suspenders<br \/> sinatraesque music\/ cool swing\/ scat: it don\u2019t mean a thing if it ain\u2019t got that swing\/ etc.<br \/> hydroblade drape- nice<br \/> spinning one arm lift, she doubled over his arm <br \/> straightline footwork decent, not as difficult or edgy as some <br \/> twizzles done, not great<br \/> slow hot section, <br \/> spin catchfoot, plus ?<br \/> titanic forward lift, nice position<br \/> circular footwork little struggled, trouble on twizzle<br \/> great one foot lift, she upside down into legs scissored around his bent spreadeagle, bit struggled<br \/> fun fast rhythm, <br \/> nice swing feel to their skating<br \/> don\u2019t have the difficulty of choreography of some others<br \/> spread eagle lift into spinning catchfoot lift nicely done<\/p>\n<p align=\"justify\"> <strong>12.Mimi Whetstone\/Chris Obzansky<\/strong><br \/> pink\/yellow polka dots Tanith? dress\/brown pinstripe pants pin suspenders<br \/> jazz should I let myself go\/sinatraesque music\/swing\/slow swing<br \/> combo spinning lift: on shoulder\/stag position on his hip\/ <br \/> nice smooth skating <br \/> twizzles travel nicely<br \/> fastish straightline with decent edges<br \/> one foot lift&#8211; catchfoot into spinning lift as donut around his leg then split across lap<br \/> camel\/biellmann spin<br \/> upside down catchfoot\/ hydroblade lift draped over his back-nice<br \/> fast section-entertaining bouncy feel <br \/> circ footwork smooth-they make it look easy<br \/> unfortunate fall at end of program on spinning lift (catchfoot to straight body with the hand-between-her-leg hold)<\/p>\n<p align=\"justify\"><strong>13.Lynn Krienkrairut\/Logan Giulietti-Schmitt<\/strong><br \/> red sparkly bellybutton baring asymmetrical skirt dress, blk fringe\/ blk man\u2019s outfit, red pintucks on the shirt<br \/> edgy tango\/likely piazzola (you have to wonder if they recycled any of last year\u2019s od)<br \/> skating generally with edge and power <br \/> passionate-skate like they mean it<br \/> tough straightline footwork.<br \/> twizzles holding blades- nice<br \/> one-arm spinning lift-woman in arched position<br \/> one footed lift\u2014woman in catch foot position, (a little shaky at first) changing to multiposition spinning lift <br \/> circ (serp?) footwork difficult, a bit struggled at times, good edges <br \/> titanic lift with her prone, legs scissored around his waist, bit slow<br \/> spreadeagle lift-biellmann over his head, changing to trumpet, forward motion almost stopped<br \/> spin: biellmann then foot to head, slow<br \/> lots of quick choreography<br \/> packed program-these guys mean business<br \/> a number of small mistakes today<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Original Dance Report by Abby Millager 1. Maxwell &amp; Traxler pocohontas outfits. 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Maxwell &amp; Traxler pocohontas outfits. 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